Move into the pose
Side view
Drag to orbit, pinch or scroll to zoom

Supported bridge

Salamba Setu Bandha Sarvangasana

hold 90 s · beginner · move in slowly, hold, come out the same way

Salamba Setu Bandha Sarvangasana: from bridge pose, a block at its middle height goes under the sacrum and the hips lower onto it. The pelvis rests on the block about 25 cm up, knees bent and feet flat, arms long beside the body; nothing has to work.

0°Ankle dorsiflexion
109°Knee flexion
16°Hip flexion
122°Trunk from vertical
39°Arm to trunk
22°Elbow flexion
20Ankle spacing, cm
48Hand spacing, cm
4Knee outside ankle, cm
–Knee cave, ° inside toe line
–Load left / right, %
0Pelvis drop, cm

Load and joint demand

Bodyweight: no weights. Joint demand below is your own body's weight in this position.

Shoulder, per side
11 / 11

N·m now / peak over the rep.

Faults

Faults grow with knee bend and apply to lifts standing on the floor. The fault check flags a knee caving more than 10° inside the line of the toes and a load split beyond 60/40. Knee cave shows best in the front camera.

Body

Femur changes keep standing height fixed by shortening or lengthening the torso. Longer femurs force more forward lean in any squat.

Muscles worked

Glutes
22 pts
Quads
11 pts
Abs and core
11 pts

Effort and your quota

3.5/10 effort3.5fatigue per set

Hold for 90 seconds: move into the pose slowly, breathe steadily, and come out the way you went in. Yoga is practised for control, balance and mobility, never to failure, so this does not change with your limits.

Level: beginner. One round counts like light conditioning work: 33 legs points, 11 core points.

Prime movers

Hip flexors and quadriceps (stretched), abdominals (stretched), gluteus maximus (lightly).

What to look for

  • Lift the hips, slide the block under the sacrum (the flat bone above the tailbone), not the lower back.
  • Lower onto it and let the block carry you.
  • Turn it to its lowest height if the back pinches; to come out, lift the hips and take it away.
How the model works, and its limits

One 3D skeleton drives both views. Segment lengths and widths are Winter's anthropometric ratios of height; segment masses and centre-of-mass positions follow Dempster's data. For free-standing lifts the whole-body angle is found numerically so the combined centre of mass of lifter and load sits over the middle of the foot. Arms and legs use two-link inverse kinematics with a pole direction. Rep timing follows a minimum-jerk profile.

Balance is quasi-static, so ballistic lifts are shown slowed down. Cable pull and pad support forces are not modelled. The spine is one rigid segment and joints have no range-of-motion limits or muscle forces.